I didn't find this book at all odd until reading the author's notes in the afterward. He points out how there is just ONE character and one of the main things she accomplishes in the book is making soap. The soap covers about 8 pages.
The last time soap making was an activity in anything consumed for entertainment purposes was Fight Club. Tyler Durden and Auri. That's a more fun compare / contrast than I realized until I typed that just now. One quietly sets the world right, the other seeks to upset every apple cart ever made. Perhaps if Auri never found solace in the Underthing she might have gone that direction.
The preface is a warning by the author almost telling you NOT to read this book. It is a warning that - if you do - you should first read his other books (Kingkiller Chronicles) or you might be a bit lost jumping right into Auri's story. I did happen to have come to this book after having read the other two, but I almost wish I could see what I thought if I hadn't. I think I would have enjoyed it on a whole different level. Would I have been more shocked and impressed to find out that she is a gifted intellectual? How would I have pictured her expectant visitor? Would I have thought that the name she dropped was that of an esteemed Professor? Would I have placed the story in modern times? Or olden days? Or a fantasy realm? I wonder..
Auri puts so much personality into the object that she collects that these "things" take on a person-hood. She worries about their feelings of her blanket. She wants her leaf to be comfortable. She wants a cup to not be lonely. Once she finds the right place to set the broken cogwheel (that she almost drowns trying to rescue) it balances her world so much that she names it Fulcrum. She is too selfless to taker care of herself so she imbues items with her own emotions.
Patrick says that he didn't write this book to publish and sell it. He needed to get the story of Auri out of his head. He needed to explore more about her and find out who she really was. He did it mostly for himself not ever really intending or needing others to read it. ..kinda like this blog. I write it for me. If YOU like it, that's great. I just want to be able to remember what happened in all of these books.
My friend Michael Mallen wrote a review of this book too. He is a professional psychologist. His review - and the recommendation of everyone that has read the book - made me add it to the 100 book list. I'm really glad I did.
Pat says that : "This story is for all of the slightly broken people out there. I am one of you. You are not alone. You are all beautiful to me." It reminds me of the Police song Message in a Bottle. 100 million bottles washed up on the shore. I guess no one is alone in being alone. ..good luck trying to tell that to someone who feels alone though.
p30
Some places had names. Some places changed, or they were shy about their names. Some places had no names at all, and that was very sad. It was one thing to be private. But to have no name at all? How horrible. How lonely.
p116
She looked down at her shaking hands. Was she all full of screaming now? Again? No. No no. It wasn't her. Not just. It was all everything. All everything unravelding and thin and tatter. She could not even stand. The light was jagged, scraping like a knife against her teeth. And underneath it was the hollow dark. The nameless empty everything was clawing at the fraying edges of the walls. Even Foxen wasn't even nearly. The stones were strange. The air. She went looking for her name and couldn't even find it flickering. She was just hollow in. Everything was. Everything was everything. Everything was everything else. Even here in her most perfect place. She needed. Please she needed please..
One last thing..In the end note Pat points out that the name of his world is Temerant and asks "Did you catch that?" I hadn't at first but now I wonder.. Kvothe knows the name of the Wind. Does Auri know the name of the World? I have to go back and find it now..
